The camera was a perfect
tool for artists to manipulate
human perception 
            -Gordon
Matta-Clark’s Conical Intersect, distorts the familiarity to interior, and
creates new importance through reduction of the subject 
            -Jan
Dibbets  Horizon III forces the
viewers attention toward the frame of the projection because of the instinctual
nauseating sensation produced  from
the diagonal positions of the apparatus.
            -
Braco Dimitrijevic’s Casual Passerby’s were able to be monumentalized in the
city square and were simply random encounters of the photographer
Conceptualist love
methodical processes.
            -Dennis
Oppenheim’s Gallery Transplant, the entire piece is based on the process of
moving a known space to a unrelated location creating a new context.
            -Giuseppe
Penone’s Untitled, c. 1974, shows four fore arms but each one is on a separate
print in separate frames, process of lining the frame with arms.
            -Michael
Heizer’ Munich Rotary Interior was created with a backhoe and was specifically
created 10 feet deep and 100 feet in diameter.
The magic of
Conceptual work is found in the mundane.
            -
Braco Dimitrijevic’s Casual Passersby’s convey images of real life regular
people 
            -
Emilio Prini’s Small Film produces large scale presentations of objects or
views that would not say the same thing when viewed individually 
            -Jan
Dibbets Horizon III causes an array of complex thought processes just by juxtaposing
two angled perspectives of the ocean moving up and down
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